JOSEF HOFLEHNER
LANDSCAPE PHOTOGRAPHS
To 29 February
The IPA (International Photography Awards) - photography's equivalent of the
Oscars -this year, voted Hoflehner Nature Photographer of the Year. Since
his first exhibition at Atlas - Frozen History, an aesthetic documentary
study of the deserted expeditionary huts of Antarctica, also his first major
gallery exhibition on the world stage - Josef has travelled far and wide
through some of the most remote, stunning and sublime landscapes on the
planet.
From The Yemen to Iceland, China and The Deep South of America, his
images depict the landscapes of dreams and are reminiscent in their
technical purity of the great masters of early twentieth century landscape
photography.
GEORGE RODGER
AFRICAN PORTRAITS
6 March - 3 May
A founding member of Magnum Photos, in 1947, George Rodger made his name
during the Blitz in London; and through his work documenting Monty's Desert
Rats' struggle against the Axis armies in Africa, for Life magazine, in
1941. His enduring passion remained Africa, where he returned in 1947,
embarking on a two-year long, overland journey from Cape Town to Cairo, with
the intention of photographing the wild-life, and, also, wanting to explore
something of Man's inseparable relationship with nature.
He visited Nigeria,
Uganda, and Lamberene in Gabon, photographing, from the high hills of
Basutoland to the remote Nuba villages of Kordofan in Southern Sudan, the
little known, day-to-day existence of the tribal peoples in this part of
South and East Africa. Rodger gained unprecedented access to the Nuba tribe
and the Masai warriors in Kenya; first publishing his extraordinary pictures
in National Geographic in 1951.
Africa remained a major preoccupation for
Rodger for the rest of his life. He died in 1995.
LENI RIEFENSTAHL
NUBA
6 March - 3 May
In 1962, Leni Riefenstahl became the first white woman to obtain permission
from the Sudanese government to study the Nuba tribe. Until 1969, she lived
intermittently among these people in the remote valleys of central Sudan,
studying them closely taking unique and fascinating photographs which
constitutes a lasting record of what was once their way of life.
Inspired by
George Rodger's famous photographs of Nuba wrestlers, Riefenstahl set out to
compile what became her second great photographic essay.
BURT GLINN
NEW YORK, 1971
4 February - 5 April
This exhibition is selected from a little known series of photographs, shot
by Glinn, of prostitutes working on the streets of New York. The work is
made with the integrity and honesty usually associated with his photography. "In journalism you don't set it up. You think about where it's all going to
be, and sometimes you're lucky and sometimes you get to places you can be. I
don't touch a thing, I don't tell anybody to go there and sit there or move
there or do anything. I'm really devoted to the idea that this is too
important to screw around with."
Glinn works with great versatility and technical prowess, and many consider
him to be one of Magnum's great corporate and advertising photographers. He
has received numerous awards for his editorial and commercial photography,
and held the posts of President of the American Society of Media
Photographers, and President of Magnum, (between 1972 and 1975 - and, again,
in 1987).
"In all the different types of work I've done - editorial, travel,
advertising - they've all had the same engine driving them, which is that I
can't think of anything that's better than what happens in real life."
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